Marisa Montiel |
Madrid, (EFE).- The fastest superhero, Flash, breaks into the billboard this Friday where he will meet Wes Anderson’s troupe, led by Scarlett Johansson, in “Asteroid City”, with Gerald Butler as a CIA spy in Afghanistan and with Karra Elejalde turned into a space Quixote.
Ezra Miller takes “Flash” into the multiverse
With Ezra Miller in the skin of the fastest superhero, “Flash” takes DC Comics into the multiverse with a plot in which the protagonist intends to travel back in time to save his family from certain tragic events that have marked him.
Directed by Argentine Andy Muschetti, it stars Maribel Verdú in the role of Flash’s mother and brings back Michael Keaton as Batman and Michael Shannon as the evil Zod.
“Asteroid city”, a new fable by Wes Anderson
Scarlett Johansson, Tom Hanks, Adrien Brody and Bryan Cranston are part of the luxury cast of the new Wes Anderson film, a story within another, set in the 50s in a town in the middle of a desert that was recreated by the filmmaker Texan in the Madrid town of Chinchón.
It is a television program that talks about a play that tells how a group of surreal characters meet in the tiny Asteroid City of the title, in the middle of the desert, to participate in a convention of young and brilliant science students, that will be interrupted by events that change the world.
Gerard Butler, action and adrenaline in “Operation Kandahar”
After sabotaging an Iranian nuclear reactor, CIA agent Tom Harris (Gerard Butler) discovers that his identity has been revealed and has 30 hours to reach Kandahar airport (Afghanistan) and avoid capture, with the help of a translator. Afghan (Navid Negahban) who despises the violence caused by the war.
Butler meets again in this film with director Ric Roman Waugh after “Target: Washington DC” (2019) and “Greenland: The Last Refuge” (2020) to offer a new dose of action and adrenaline.
Karra Elejalde, a space Quixote in “Kepler sixth B”
Basque director Alejandro Suárez makes his debut with this social fable that mixes tenderness and home-made science fiction to propose a reflection on caring for the most underprivileged in society.
For this, it has Karra Elejalde in the skin of Jonás, a man who, to escape from the dramas of his real life, invents a parallel reality and believes that he is on a space mission.
“Upon entry (The arrival)”, the nightmare of migration
Venezuelans Alejandro Rojas and Juan Sebastián Vásquez direct this film that exposes the nightmare that trying to enter the United States based on nationality of origin can turn into.
Alberto Amman and Bruna Cusí play Diego and Elena, a Venezuelan urban planner and a Spanish dancer who move, with their approved visas, to start a new life, but upon entering the immigration area of the New York airport, they are led to the secondary inspection room, where they are subjected to intense interrogation by customs officers.
After a night out, David (David Menéndez) rushes drunk from a terrace before the helpless gaze of his friend Juan (Brays Efe). His body hits the hood of a car and disintegrates into a thousand pieces, but since no one seems to be shocked, Juan sets out to find out what happened.
The Burnin’ Barnacles duo, made up of two atypical filmmakers, Juan González and Nando Martínez, grow in surrealism in this second film, “The Fantastic Case of the Golem”, after debuting with “La reina de los lizards” (2020).
A cast of the first swords of French cinema, with Marine Vacth, Pierre Niney, Isabelle Adjani and François Cluzet, for a story of passion, crime and betrayal directed by Nicolas Bedos, which mocks a world where money reigns.
“Lovers of Deceit” revolves around a young gigolo who falls under the spell of a con artist and together they hatch a plan to achieve a life of luxury, willing to do anything, even sacrificing a movie star and a real estate agent.
It was one of last year’s hits at the French box office, where it grossed more than three million euros, a popular comedy directed by newcomers Olivier Ducray and Wilfried Méance that pays tribute to the 80s films by Richard Pryor and Gene Wilder as “Don’t yell at me that I don’t see you.”
The film narrates the chance meeting of two 33-year-old men who discover that they are twins. One is a handyman who survives by doing botch jobs and the other is an ambitious politician looking for a position in local institutions, but the most curious thing is that one is white and the other is black.
“A hundred flowers”, a poetic story about Alzheimer’s
The debut of Genki Kawamura, known for being a producer of animes such as “Suzume”, “Your Name” or “The Boy and the Beast” and screenwriter for films in the Doraemon saga, adapts his own novel in this film that competed in the section official at the last San Sebastian Festival.
Kawamura turns the story of his grandmother, who died of Alzheimer’s seven years ago, into a delicate film that takes a journey through memories, memory, and the relationship through time between a mother and a son.
The responsibility of being a superhero
The Norwegian filmmaker specialized in animated films, Rasmus A. Sivertsen, brings to the table debates such as the level of demand that parents place towards their children or the quality of the activities they dedicate to them in their spare time in this new film.
It tells the story of Hedvig, who at the age of 11 has literally had to put herself in the shoes of her father, assuming the position of the town’s superheroine.
Ibiza in post-pandemic
Jesús Lloveras has written, directed and starred in this drama that includes the lives of three thirty-somethings who intersect in post-pandemic Ibiza, in the summer of 2020, where they will try to overcome their tragedies and move on.