Barcelona (Spain) (EFE) urban music, which has swept the first stop in Europe on his current tour.
The fame of the Argentine has skyrocketed in Spain since he recorded with Shakira the song in which the Colombian was at ease against Gerard Piqué, after their separation.
This song has been one of the most popular songs that the music producer has played this Saturday at the Parc del Fòrum, but not the only one, because among his famous “Music Sessions”, of which Shakira’s is number 53, there are many super hits.
The first of these trackbreakers and record-breakers of listening on the networks that has sounded has been the one that he recorded with Nathy Peluso, number 36 of the “Music Sessions”.
Peluso has appeared on the screens while her voice sounded and has made the 17,000 people gathered dance, but she was not on stage, but a 24-year-old with a peaked cap, sunglasses and headphones, the same outfit with which who receives celebrities who enter his room to record a session at his parents’ house.
This time he has taken part of the machinery from his room-recording studio out onto the street and has taken it on tour in what he considers his first own ‘show’.
BZRP performed in Spain for the spring time a year ago and went through Barcelona, where he was at an event in which the headliner was Rauw Alejandro, but today he was the brightest star of the two-day festival that closed with another of his greatest hits, the session with Quevedo.
His ascension is being meteoric and soon he will have to dial the number of the new session with three figures.
The songs of BZRAP invited to dance
For Barcelona, he has chosen those of L-Gante, Eladio Carrion, Morad, Residente, Villano Antillano, Featherweight, Snow Tha Product, Nicky Nicole, Trueno and Tiago PZK, among others.
Themes that BZRAP has slowed down, sped up, mixed and modified freely, while the lights and videos on the screens invited you to dance and lose sight of the world.
Bizarrap has not been the only one who has triumphed today in Barcelona, shortly before Morad, the Catalan rapper of Moroccan origin who hits the hardest, has climbed one more step in his career as a musician and as a legend, with a concert-chronicle from the margins .
He has opened fire with “Carretera”. “I learned to live with all the bad, then I did and I gave a stick,” rapped this 24-year-old born in La Florida, one of the toughest neighborhoods on the outskirts of Barcelona, where he had his first run-in with the police when he tried to break into a house.
Morad, the Catalan rapper, has opened fire with “Carretera”
He no longer gets into this type of trouble, but he does in others and right now he is awaiting a judge’s decision, after the prosecutor has requested six years in jail for him, accused of attacking two police officers.
He has spoken about this topic in his second song, “Aguantando”: “enduring police abuse, getting up for the courts, enduring talks from prosecutors, to never be locked up again”.
The music and the legend have been advancing in parallel, song by song, while the public chanted their lyrics.
Those who have also sung a lot have been the dozens of children from the Morad neighborhood, whom their famous neighbor has invited to go on stage and who have been with him, delighted, throughout the concert.
The recital continued with other songs about the police, such as “Normal”, and more hopeful songs, such as “Soñar”, as well as a couple of very celebrated collaborations: that of RVFV, who has come by car from Almería to sing with his “brother”, and Beny Jr, from the same neighborhood as Morad and “real friend, not one of those fake ones in the world of music”.
Morad already performed at Share last year, but at Poble Espanyol, which is where this urban music festival was held until now, which has had to look for a larger venue because the fans of this music no longer fit anywhere , they are more and more, and growing.
Growing in all senses, because some are very young and at first hour there were more people entering the Fòrum through the door for minors than through the door for the general public.
The presence of more than one father who has accompanied their adolescent children has raised the average age of a festival that does not need to be renewed generationally, like others, but is the renewal itself.